C. Gounod The Waltz from ‘Faust’ for 2 Piano 8 Hands (Arr. R. Vilback)
(1818-1893)
Pf 1. ÃÖ°íÀº, ¹ÚÁ¾ÈÆ/ Pf 2. Á¶¹«Çö, ¿ÁÀ±¾Ö
L. v. Beethoven Three Marches, Op.45 for Piano 4 Hands
(1770-1827)
No.1 Allegro ma non troppo in C Major
No.2 Vivace in E¢Ú Major
No.3 Vivace in D Major
¹ÚÁ¾ÈÆ, Á¶¹«Çö (No.1) / Á¶¹«Çö, ¹ÚÁ¾ÈÆ (No.2, No.3)
C. Saint-Saens Danse Macabre in g minor, Op. 40 for 2 Pianos 8 Hands (Arr. E. Guiraud)
(1835-1921)
Pf 1. ¿ÁÀ±¾Ö, ÃÖ°íÀº / Pf 2. Á¶¹«Çö, ¹ÚÁ¾ÈÆ
INTERMISSION
E. Grieg Peer Gynt Suite No.1, Op.46 for 2 Pianos 8 Hands (Arr. A. Ruthardt)
(1843-1907)
No.1 Morning Mood
No.2 The Death of Ase
No.3 Anitra's Dance
No.4 In the Hall of the Mountain King
Pf 1. Á¶¹«Çö, ¹ÚÁ¾ÈÆ/ Pf 2. ¿ÁÀ±¾Ö, ÃÖ°íÀº
C. Guastavino ‘Tres Romances for 2 Pianos 4 Hands
(1912-2000)
No.1 Las Ninas de Santa Fe
No.3 Baile en Cuyo
ÃÖ°íÀº, ¿ÁÀ±¾Ö
B. Smetana Die Moldau for 2 Pianos 8 Hands (Arr. J. Schiegnitz)
(1824-1884)
Pf 1. ¿ÁÀ±¾Ö, ¹ÚÁ¾ÈÆ / Pf 2. ÃÖ°íÀº, Á¶¹«Çö